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Jan Thomas - Infanta Margarita Teresa de Habsburgo |



Jan Thomas
Infanta Margarita Teresa de Habsburgo
1667 Kunsthistorisches Museum - Wien Austria


Jan Thomas
Infanta Margarita Teresa de Habsburgo (detail)


Jan Thomas
Infanta Margarita Teresa de Habsburgo (detail)

Ìåòêè: æèâîïèñü 17 âåê ïîðòðåò |
Diego Velazquez (1599–1660) - Infanta Margarita Teresa in a Pink Dress |



Diego Velázquez (1599–1660)
Infanta Margarita Teresa in a Pink Dress (La infanta Margarita de Austria, detail) circa 1660
Colección Real via Museo Nacional del Prado - Madrid, Spain


Diego Velázquez (1599–1660)
Infanta Margarita Teresa in a Pink Dress (La infanta Margarita de Austria)
circa 1660
Colección Real via Museo Nacional del Prado - Madrid, Spain

Ìåòêè: æèâîïèñü 17 âåê ïîðòðåò |
Hans Holbein the Younger (ca. 1497-1543)- Venus and Amor |


Hans Holbein the Younger (ca. 1497-1543)
Lais of Corinth

Hans Holbein the Younger (ca. 1497-1543)
Venus and Amor

Ìåòêè: æèâîïèñü 16 âåê ïîðòðåò |
Carlo Dolci (Italian, 1616-1686) - Madonna |



Dolci, Carlo (Italian, 1616-1686)
Mary Magdalene
between 1660 and 1670
Palazzo Pitti, Florence, Italy


Carlo Dolci (1616-1687)
Madonna (detail)
Statens Museum for Kunst, DK.


Carlo Dolci (1616–1686)
St Cecilia at the Organ
1671
Gemäldegalerie Alte Meister, Dresden, Germany

Ìåòêè: æèâîïèñü 17 âåê ïîðòóãàëèÿ |
Ñòàðûå Ìàñòåðà. Ãàëåðåÿ æèâîïèñè |
Ìåòêè: æèâîïèñü 17 âåê æèâîïèñü 16 âåê |
Francesco Raibolini (1447–1517) - Portrait of Federigo Gonzaga (1500–1540) |


Francesco Raibolini

Francesco Raibolini (1447–1517)
Portrait of Federico II Gonzaga, Duke of Mantua, around age 10.
1510 Metropolitan Museum of Art

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Ìåòêè: ìóæñêîé ïîðòðåò æèâîïèñü 16 âåê |
Nicholas Hilliard (1547–1619) - Elizabeth I, the "Phoenix" portrait |




Attributed to Nicholas Hilliard (1547–1619)
Elizabeth I, the "Phoenix" portrait
c. 1575-76 Tate Britain (London)

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Attributed to Nicholas Hilliard (1547–1619)
Elizabeth I, the "Phoenix" portrait (detail)

Ìåòêè: ïîðòðåò æèâîïèñü 17 âåê |
Jacob Gerritsz Cuyp (1594–1652) - Òðè äåòî÷êè |
[



Jacob Gerritsz. Cuyp (1594–1652)
Three children in a landscape.
1635 Dordrechts Museum Äîðäðåõò, Íèäåðëàíäû

Ìåòêè: äåòè â æèâîïèñè æèâîïèñü 17 âåê |
Jacob Gerritsz Cuyp (1594-1652) - Kind mit Blume |




Jacob Gerritsz Cuyp (attr)
Kind mit Blume
1652

Ìåòêè: äåòè â æèâîïèñè æèâîïèñü 17 âåê |
Albrecht Durer (1471-1528) - Self-portrait at 26 |




Albrecht Dürer (1471–1528)
Self-portrait at 26 (detail)
1498 Museo Nacional del Prado


Albrecht Dürer (1471–1528)
Self-Portrait
1498 El Prado

Ìåòêè: ìóæñêîé ïîðòðåò æèâîïèñü 16 âåê |
Ñòàðèííûé Ïîðòðåò. Èñòîðè÷åñêèé êîñòþì XV-XVIII ââ. |
Ìåòêè: ïîðòðåò æèâîïèñü 17 âåê ìóæñêîé ïîðòðåò |
Cornelis de Vos (1584–1651) - Cornelia or Elisabeths Vekemans |

Cornelis de Vos

Cornelis de Vos (1584–1651)
Cornelia or Elisabeths Vekemans, daughter of Joris Vekemans and Maria van Ghinderdeuren
1625 Museum Mayer van den Bergh Antwerp

Ìåòêè: ïîðòðåò æèâîïèñü 17 âåê |
Jacob Gerritsz Cuyp (1594-1652) - Äåòî÷êà |




Jacob Gerritsz Cuyp (1594–1652)
Portrait of a Child
XVII c.,Städelsches Kunstinstitut und Städtische Galerie

...
Ìåòêè: äåòè â æèâîïèñè æèâîïèñü 17 âåê |
Drawings Sir Peter Lely (1618-1680) |



Sir Peter Lely (1618-1680)
A lady, nearly half-length
ðàíåå 1680
÷¸ðíûé ìåëîê, êðàñíûé ìåëîê è áåëûé ìåëîê íà ñåðî-êîðè÷íåâîé áóìàãå
British Museum Ëîíäîí

Sir Peter Lely (1618-1680)
Portrait of a lady wearing her hair in ringlets and with a veil over her head
1680

Ìåòêè: ïîðòðåò æèâîïèñü 17 âåê |
Ìóæñêîé ïîðòðåò â æèâîïèñè XV-XIX ââ. \3\ |
Ìåòêè: æèâîïèñü 16 âåê æèâîïèñü 17 âåê æèâîïèñü 18 âåê ìóæñêîé ïîðòðåò |
Ñòàðèííîå. Aert van der Neer, Ãîëëàíäèÿ |
Ìåòêè: æèâîïèñü 17 âåê õóäîæíèêè ãîëëàíäèè, äàíèè |
Âåðíèñàæ - *Ãèìí èñêóññòâó õóäîæíèêà, ìóçûêàíòà, ïîýòà....* |




Ìåòêè: æèâîïèñü 17 âåê æèâîïèñü 18 âåê æèâîïèñü 19 âåê |
Ðåìáðàíäò, Ðóáåíñ è áèáëåéñêèé Ñàìñîí |

Ïèòåð Ïàóëü Ðóáåíñ. Ñàìñîí è Äàëèëà. Ôðàãìåíò. Îê. 1609 ã.
Íàöèîíàëüíàÿ ãàëåðåÿ, Ëîíäîí.
Ñèëà÷ Ñàìñîí (Êíèãà Ñóäåé, ãëàâû 13-16) - îäèí èç ñàìûõ êîëîðèòíûõ âåòõîçàâåòíûõ ïåðñîíàæåé. Õîòÿ ýòîò ëþáâåîáèëüíûé áîãàòûðü è ñ÷èòàåòñÿ ñóäüåé èçðàèëüñêèì, îí ãîðàçäî áîëüøå ïîõîæ íà áåñøàáàøíîãî ðàçáîéíèêà. Èñòîðèÿ Ñàìñîíà, íà ïåðâûé âçãëÿä, íàïîìèíàåò ãðóáîâàòóþ íàðîäíóþ ñêàçêó èëè íåçàìûñëîâàòûé áîåâèê, ãäå ñêóäíîãî óìîì, íî îáàÿòåëüíîãî ãåðîÿ-ñóïåðìåíà èíòåðåñóþò òîëüêî áèòâû äà æåíùèíû.
×èòàòü äàëåå
Ìåòêè: æèâîïèñü 17 âåê õóäîæíèêè ãîëëàíäèè, äàíèè |
Ñåêðåòû ôðåñêè Ëåîíàðäî äà Âèí÷è "Òàéíàÿ âå÷åðÿ" |

Ëåîíàðäî äà Âèí÷è – ñàìàÿ çàãàäî÷íàÿ è íåèçó÷åííàÿ ëè÷íîñòü ïðîøëûõ ëåò. Êòî-òî ïðèïèñûâàåò åìó áîæèé äàð è ïðè÷èñëÿåò ê ëèêó ñâÿòûõ, êòî-òî, íàïðîòèâ, ñ÷èòàåò åãî áåçáîæíèêîì, ïðîäàâøèì äóøó äüÿâîëó. Íî ãåíèé âåëèêîãî èòàëüÿíöà íåîñïîðèì, ïîñêîëüêó âñå, ê ÷åìó êîãäà-ëèáî ïðèêàñàëàñü ðóêà âåëèêîãî æèâîïèñöà è èíæåíåðà, ìîìåíòàëüíî íàïîëíÿëîñü ñêðûòûì ñìûñëîì. Ñåãîäíÿ ìû ïîãîâîðèì î çíàìåíèòîì ïðîèçâåäåíèè «Òàéíàÿ âå÷åðÿ» è ìíîæåñòâàõ ñåêðåòîâ, êîòîðîå îíî ñêðûâàåò.
Ìåòêè: æèâîïèñü 15 âåê èñòîðèÿ |
Ñàíäðî Áîòòè÷åëëè (1). Ïîäáîðêà æèâîïèñè |
Äíåâíèê |
Ñàíäðî Áîòòè÷åëëè, (èòàë. Sandro Botticelli, íàñòîÿùåå èìÿ - Àëåññàíäðî äè Ìàðèàíî Ôèëèïåïè Alessandro di Mariano Filipepi; 1 ìàðòà 1445 ã. — 17 ìàÿ 1510 ã.) — èòàëüÿíñêèé æèâîïèñåö òîñêàíñêîé øêîëû.. Ïðåäñòàâèòåëü Ðàííåãî Âîçðîæäåíèÿ.
Èòàëüÿíöû — ôèëîñîôû âî âñåì. Äàæå íà êàðòèíå, êîòîðàÿ ïðåäñòàâëÿåò ñîáîé àëëåãîðèþ âåñíû è ëþáâè, çàøèôðîâàíî ïîñëàíèå î ãóìàííîñòè Êàðòèíà Ñàíäðî Áîòòè÷åëëè «Âåñíà» áûëà ñâàäåáíûì ïîäàðêîì Ëîðåíöî Ìåäè÷è åãî òðîþðîäíîìó áðàòó Ëîðåíöî äè Ïüåðôðàí÷åñêî Ìåäè÷è. Òîò ñîáèðàëñÿ æåíèòüñÿ íà Ñåìèðàìèäå — äåâóøêå èç çíàòíîé ñåìüè Àïïèàíè."Âåñíà" ñàìîå çàãàäî÷íîå è ñïîðíîå èç ïðîèçâåäåíèé ôëîðåíòèéñêîãî ìàñòåðà. Âåñíà, ãëàâíàÿ ãåðîèíÿ êàðòèíû, åäâà êàñàÿñü çåìëè, ëåòÿùåé ïîñòóïüþ, äâèæåòñÿ ïî öâåòóùåìó ñàäó. Ñàäó Âåíåðû. Ñàìà áîãèíÿ ëþáâè ñòîèò â òåíè àïåëüñèíîâûõ äåðåâüåâ. Åå ñûí, Àìóð, ñ çàâÿçàííûìè ãëàçàìè, ïîñûëàåò íà çåìëþ ñâîè çà÷àðîâàííûå ñòðåëû, äàðÿùèå ëþáîâü. Òðè ãðàöèè âîäÿò ïðèâû÷íûé õîðîâîä. Çåôèð, áîã çàïàäíîãî âåòðà, ïðåñëåäóåò íèìôó. Ïîñëåäíÿÿ ñöåíà çàñòàâëÿåò ðÿä èññëåäîâàòåëåé âèäåòü ðàçãàäêó ñþæåòà ïàííî â ñòèõàõ Îâèäèÿ. Ðèìñêèé ïîýò îïèñûâàåò íàñòóïëåíèå Âåñíû êàê ïðåâðàùåíèå íèìôû Õëîðèñ â áîãèíþ âåñåííèõ öâåòîâ Ôëîðó.  êîòîðóþ åå îáðàòèë Çåôèð, âîñïûëàâøèé ê íåé ñòðàñòüþ.
Âåñíà. Ôðàãìåíò

Âåñíà. Ôðàãìåíò

Ìåòêè: æèâîïèñü 16 âåê õóäîæíèêè èòàëèè |