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ÉMILE VERNON (1872-1919). Æåíñêèå ïîðòðåòû |
Ìåòêè: æèâîïèñü 19 âåê ïîðòðåò |
Æåíñêèå ïîðòðåòû Âàëåíòèíà Ñåðîâà (1865-1911) |
Äíåâíèê |
Ñåðîâ Âàëåíòèí Àëåêñàíäðîâè÷ ðîäèëñÿ â ñåìüå êîìïîçèòîðà è ïèàíèñòêè. Ïîðòðåòèñò. Ó÷èëñÿ ó È.Å. Ðåïèíà, çàòåì ïîñòóïèë â Àêàäåìèþ õóäîæåñòâ. Ïîñåùàë Ãåðìàíèþ, Ãîëëàíäèþ, Èòàëèþ, ãäå èçó÷àë Åâðîïåéñêóþ æèâîïèñü. Áûë ÷ëåíîì Òîâàðèùåñòâà Ïåðåäâèæíèêîâ, îäíàêî ïîñëå åãî ðàñêîëà âñòóïèë â îáúåäèíåíèå «Ìèð èñêóññòâà». ×ëåí Ñîâåòà Òðåòüÿêîâñêîé Ãàëåðåè. Ïðåïîäàâàë â Ìîñêîâñêîì ó÷èëèùå æèâîïèñè , âàÿíèÿ è çîä÷åñòâà.
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Äåâî÷êà ñ ïåðñèêàìè (Ïîðòðåò Â.Ñ.Ìàìîíòîâîé). 1887
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Ëåòîì (Ïîðòðåò Î.Ô.Ñåðîâîé). 1895
Ìåòêè: ðóññêèå õóäîæíèêè æèâîïèñü 19 âåê ïîðòðåò |
Ïðåêðàñíàÿ ðóññêàÿ õóäîæíèöà Ìàðèÿ Áàøêèðöåâà (1860-1884) |
Äíåâíèê |
Áàøêèðöåâà Ìàðèÿ Êîíñòàíòèíîâíà (1860-1884) - ðóññêàÿ õóäîæíèöà. Ðîäèëàñü â ñ. Ãàâðîíöû, Ïîëòàâñêîé ãóáåðíèè. Ïðîèñõîäèëà èç àðèñòîêðàòè÷åñêîé è áîãàòîé ñåìüè. Ñ äåñÿòè ëåò èç-çà áîëåçíåííîñòè Ìàðèÿ Áàøêèðöåâà ïîñòîÿííî æèëà âî Ôðàíöèè, â Íèööå. Ó÷èëàñü ó Ô. Áåíçà â Íèööå, ó Â. À. Êîòàáèíñêîãî â Ðèìå.  1877 ã. îíà ñòàëà ïîñåùàòü àêàäåìèþ Ð. Æþëüåíà â Ïàðèæå.  1879 ã. ïîëó÷èëà çîëîòóþ ìåäàëü íà êîíêóðñå ó÷åíè÷åñêèõ ðàáîò è ñ ýòîãî âðåìåíè ðåãóëÿðíî âûñòàâëÿëà ñâîè êàðòèíû, íåèçìåííî âñòðå÷àâøèå òåïëûå îòçûâû ôðàíöóçñêèõ ãàçåò è æóðíàëîâ. Ìàðèÿ Áàøêèðöåâà áûëà ÷ëåíîì ôðàíöóçñêîãî Ñîþçà æèâîïèñöåâ è ñêóëüïòîðîâ è ñ 1881 ãîäà ïîñòîÿííîé ó÷àñòíèöåé âûñòàâîê ïàðèæñêîãî ñàëîíà. Ìàðèÿ Áàøêèðöåâà óìåðëà â Ïàðèæå â âîçðàñòå 24 ëåò.

Àâòîïîðòðåò. (Áàðûøíÿ â øëÿïå ñ ãîëóáûì ïåðîì). 1878
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Àâòîïîðòðåò ñ ïàëèòðîé
Ìåòêè: ðóññêèå õóäîæíèêè æèâîïèñü 19 âåê ïîðòðåò |
Ïîíðàâèëîñü |
Ìåòêè: ïîðòðåò |
Íà ïîäèóìå èñòîðè÷åñêèé êîñòþì XV-XVIII ââ. - Ñòàðèííûé Ïîðòðåò |


Ñòàðèííûé ïîðòðåò

Èòàëüÿíñêàÿ øêîëà, îê1518
Ïîðòðåò ìîëîäîãî ÷åëîâåêà
Íàöèîíàëüíàÿ ãàëåðåÿ, Ëîíäîí


Àâòîð íåèçâåñòåí
Ðàíåå ïðèïèñûâàëîñü Steven van der Meulen (fl. 1543–1568)
«A Young Lady, dated 1567»
1567, Yale Center for British Art


Attributed to the Master of the Magdalene Legend, Netherlandish (active Brussels), active c. 1480-c. 1520
Portrait of Philip the Fair
Ìóçåé èñêóññòâ Ôèëàäåëüôèè


Justus Susterman
Portrait of a Medici Princess
Ìåòêè: æèâîïèñü 16 âåê æèâîïèñü 17 âåê ïîðòðåò ìóæñêîé ïîðòðåò |
Àíòîíåëëî äà Ìåññèíà. Antonello da Messina. |
Àíòîíåëëî äà Ìåññèíà - ïðåäñòàâèòåëü þæíîé èòàëüÿíñêîé øêîëû æèâîïèñè ýïîõè ðàííåãî Âîçðîæäåíèÿ. Ðîäèëñÿ â ãîðîäå Ìåññèíà â Ñèöèëèè.
Îí îäíèì èç ïåðâûõ â Èòàëèè ñòàë ðàáîòàòü â òåõíèêå ÷èñòîé ìàñëÿíîé æèâîïèñè.
Ìåíÿ ïîðàæàþò åãî ïîðòðåòû, îáðàçû ñ ãëóáîêèì âíóòðåííèì ìèðîì, íî íå çàìêíóòûå âíóòðè ñåáÿ, ïðåäñòàâëÿþùèå íå ñòîëüêî ëè÷íîñòü, ñêîëüêî ñòàòóñ èëè èäåþ, à èìåííî íàñòîÿùèå èíäèâèäóàëüíîñòè, ðåàëüíûå æèâûå ëþäè.
Àíòîíåëëî äà Ìåññèíà îïèðàëñÿ íà íèäåðëàíäñêóþ æèâîïèñíóþ òðàäèöèþ, â ÷àñòíîñòè íà ñàìîå ïåðåäîâîå íàïðàâëåíèå òîãî ïåðèîäà - íà òåõíèêó Âàí Ýéêà, íî ïðèìåíèòåëüíî ê èòàëüÿíñêîìó ïîíèìàíèþ îáðàçà ÷åëîâåêà. Èíòåðåñåí òîò ôàêò, ÷òî îí ñòàë ïåðâûì õóäîæíèêîì XVâ, îòêðûâøèì âûðàçèòåëüíîñòü óëûáêè, êîòîðàÿ ó íåãî ÿâëÿåòñÿ ÷àñòüþ ïîðòðåòíîé ôèáóëû, è âî ìíîãîì ðîäñòâåííà àðõàè÷åñêîé óëûáêå ãðå÷åñêîé ñêóëüïòóðû. Åù¸ îäíà îòëè÷èòåëüíàÿ äåòàëü åãî ïîðòðåòîâ: âñå ýòè îáðàçû ïîä÷¸ðêíóòî äåìîêðàòè÷íû. Íå ñìîòðÿ íà òî, ÷òî ÷àùå âñåãî ýòî äîñòàòî÷íî áîãàòûå è âûñîêîïîñòàâëåííûå ëþäè, íî îäåæäà èõ ïðîñòà, ëèøåíà ðîñêîøè, ïîçâîëÿþùåé äîãàäàòüñÿ î èõ ïîëîæåíèè â îáùåñòâå. Ìåññèíà èçîáðàæàë ÷åëîâå÷åñêóþ, ëè÷íîñòíóþ óíèêàëüíîñòü, à íå ñîñëîâíóþ èñêëþ÷èòåëüíîñòü.
Ìóæñêîé ïîðòðåò. Ïî íåêîòîðûì ïðåäïîëîæåíèÿì - àâòîïîðòðåò.

Ìåòêè: ìóæñêîé ïîðòðåò ïîðòðåò õóäîæíèêè èòàëèè æèâîïèñü 17 âåê |
Circle of Joos van Cleve - Virgin and Child, 16th c. |




Circle of Joos van Cleve
Virgin and Child
16th century (early 16th century), Sotheby's

Ìåòêè: æèâîïèñü 16 âåê ïîðòðåò |
Ôðàíñóà-Þáåð Äðóý (Francois-Hubert Drouais, French, 1727-1775). Ïîðòðåò. |



Francois Hubert Drouais (14 äåêàáðÿ 1727 – 21 îêòÿáðÿ 1775) .Ôðàíñóà́-Þáǻð Äðóý́, ïðîçâàííûé Äðóý-ìëàäøèé — ôðàíöóçñêèé õóäîæíèê-ïîðòðåòèñò, ñàìûé èçâåñòíûé âî Ôðàíöèè êîíöà ïðàâëåíèÿ Ëþäîâèêà XV. Èç äèíàñòèè õóäîæíèêîâ, ñûí ïîðòðåòèñòà Þáåðà Äðóý; îòåö èñòîðè÷åñêîãî æèâîïèñöà Æàí-Æåðìåíà Äðóý


François-Hubert Drouais (1727 – 1775)
Marquise de Caumont La Force

Åãî îòåö-õóäîæíèê ñòàë ïåðâûì ó÷èòåëåì þíîøè. Óäà÷íî çàêîí÷èâ ôðàíöóçñêóþ Àêàäåìèþ æèâîïèñè â 1758 ãîäó, Äðóý ïîïàäàåò â Âåðñàëü, ãäå ñòàíîâèòñÿ ãëàâíûì ïðèäâîðíûì ïîðòðåòèñòîì ïðè ôðàíöóçñêîì äâîðå. Äðóý ìíîãî ïèñàë äåòåé, êðàñèâûõ æåíùèí, âêëþ÷àÿ ïîñëåäíèõ äâóõ ëþáîâíèö Ëóè XV, Ìàäàì äå Ïîìïàäóð è Ìàäàì äþ Áàððè è èçâåñòíûõ ìóæ÷èí ñâîåãî âðåìåíè.
Drouais ðîäèëñÿ è óìåð â Ïàðèæå.
Àíòîíèî Âèâàëüäè


François Hubert Drouais (1727-1775)
Portrait of Lady Amelia Darcy (1754-1784)

Ìåòêè: æèâîïèñü 18 âåê äåòè â æèâîïèñè |
ÑîëüíîÆåíñêîÏîðòðåòíîå.. |

Ìåòêè: ïîðòðåò |
Âåðíèñàæ îäíîé êàðòèíû - Pierre August Cot (1837-1883) |


Ìåòêè: æèâîïèñü 19 âåê ïîðòðåò |
Âåðíèñàæ æèâîïèñè íà òåìó *Èñòîðè÷åñêèé êîñòþì 16-17 âåêîâ* |
Èñòîðèÿ â ëèöàõ...





Ìåòêè: æèâîïèñü 17 âåê æèâîïèñü 16 âåê ïîðòðåò |
Æèâîïèñü - *Íà Ïîäèóìå 17-19 âåêà...* ÷ 2 |






Ìåòêè: æèâîïèñü 18 âåê ïîðòðåò |
Æèâîïèñü - *Íà Ïîäèóìå 17 âåê-19âåê...* |
Ìåòêè: æèâîïèñü 17 âåê æèâîïèñü 18 âåê ïîðòðåò |
Æèâîïèñü - *Íà ïîäèóìå 16-18 âåêà....* |
Ìåòêè: æèâîïèñü 17 âåê æèâîïèñü 16 âåê ïîðòðåò ìîäà âååð â æèâîïèñè |
ÑîëüíîÆåíñêîå... |

Ìåòêè: ïîðòðåò |
Ñëóæàíêè, ãîðíè÷íûå â æèâîïèñè. |
Ìåòêè: ïîðòðåò |
Jan Thomas - Infanta Margarita Teresa de Habsburgo |



Jan Thomas
Infanta Margarita Teresa de Habsburgo
1667 Kunsthistorisches Museum - Wien Austria


Jan Thomas
Infanta Margarita Teresa de Habsburgo (detail)


Jan Thomas
Infanta Margarita Teresa de Habsburgo (detail)

Ìåòêè: æèâîïèñü 17 âåê ïîðòðåò |
Diego Velazquez (1599–1660) - Infanta Margarita Teresa in a Pink Dress |



Diego Velázquez (1599–1660)
Infanta Margarita Teresa in a Pink Dress (La infanta Margarita de Austria, detail) circa 1660
Colección Real via Museo Nacional del Prado - Madrid, Spain


Diego Velázquez (1599–1660)
Infanta Margarita Teresa in a Pink Dress (La infanta Margarita de Austria)
circa 1660
Colección Real via Museo Nacional del Prado - Madrid, Spain

Ìåòêè: æèâîïèñü 17 âåê ïîðòðåò |
ÊîëëåêöèîííîÁàëåòíîå.. |
Ìåòêè: ïîðòðåò |
Æåíñêèé îáðàç... |
Ìåòêè: ïîðòðåò |