LK-mel0dia íàïèñàëà: "ñòàëèí áûë ñïðàâåäëèâûì. Âû âåðèòå ñïëåòíÿì ñïðàâåäëèâî îñóæäåííûõ...
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Êàêèå ñûðû îáÿçàòåëüíî äîëæíû áûòü äîìà äëÿ ïðèãîòîâëåíèÿ ïèööû - (0)Ïèööû áåç ñûðà ïðîñòî íå áûâàåò. Ñî âñåì îñòàëüíûì ìîæíî èäòè ïî ïóòè íàëè÷èÿ èëè èñêëþ÷...
Âåðíèñàæ îäíîé êàðòèíû - Pierre August Cot (1837-1883) |


Ìåòêè: æèâîïèñü 19 âåê ïîðòðåò |
Âåðíèñàæ æèâîïèñè íà òåìó *Èñòîðè÷åñêèé êîñòþì 16-17 âåêîâ* |
Èñòîðèÿ â ëèöàõ...





Ìåòêè: æèâîïèñü 17 âåê æèâîïèñü 16 âåê ïîðòðåò |
Æèâîïèñü - *Íà Ïîäèóìå 17-19 âåêà...* ÷ 2 |






Ìåòêè: æèâîïèñü 18 âåê ïîðòðåò |
Æèâîïèñü - *Íà Ïîäèóìå 17 âåê-19âåê...* |
Ìåòêè: æèâîïèñü 17 âåê æèâîïèñü 18 âåê ïîðòðåò |
Æèâîïèñü - *Íà ïîäèóìå 16-18 âåêà....* |
Ìåòêè: æèâîïèñü 17 âåê æèâîïèñü 16 âåê ïîðòðåò ìîäà âååð â æèâîïèñè |
Ïðèÿòíî, âèäåòü æåíùèíó ñ öâåòàìè,êîãäà ãëàçà ñèÿþò íåæíîé äîáðîòîé... |
| Emile Vernon


Èãîðü Äâóðå÷åíñêèé - Áëàæåíñòâî
Ïðèÿòíî, âèäåòü æåíùèíó ñ öâåòàìè,
Êîãäà ãëàçà ñèÿþò íåæíîé äîáðîòîé,
Ìóæ÷èíû! Âñå çàâèñèò îò íàñ ñ âàìè,
×òîá âèäåòü âñå è ìû åå ìîãëè òàêîé.
Êîãäà ãëàçà ñâåòÿòñÿ ëàñêîâîé óëûáêîé,
È íà äóøå ëþáèìîé æåíùèíû âåñíà,
×òîá æèçíü, íå ïîêàçàëàñü åé îøèáêîé,
Áûëà ëèøü ñ÷àñòüåì, ðàäîñòåé ïîëíà.


p.s.Êàðòèíêè çäåñü ïðîïàëè,ïîýòîìó äîáàâèëà â íà÷àëå è óêàçàëà ññûëêó íà íîâûé ïîñò!
Ìåòêè: æèâîïèñü 19 âåê æåíñêèå îáðàçû |
Àíòîíèñ âàí Äåéê (1599-1641) - Øòðèõè ê ïîðòðåòó |

Àíòîí Âàí Äåéê (íèäåðë. Antoon van Dyck, àíãëèéñêèé âàðèàíò íàïèñàíèÿ èìåíè — Anthony, Àíòîíè; 22 ìàðòà 1599 — 9 äåêàáðÿ 1641) — ôëàìàíäñêèé æèâîïèñåö è ãðàôèê, ìàñòåð ïðèäâîðíîãî ïîðòðåòà è ðåëèãèîçíûõ ñþæåòîâ â ñòèëå áàðîêêî.

Anthony van Dyck (Flemish, 1599–1641)
Self-portrait with a Sunflower
Çíàìåíèòûé ôëàìàíäñêèé æèâîïèñåö ìíîãî ëåò ïðîâåë ïðè äâîðå àíãëèéñêîãî êîðîëÿ Êàðëà Ïåðâîãî, êîòîðûé íå òîëüêî äàë åìó ðûöàðñêîå çâàíèå ñýðà, íî è ïëàòèë åìó îãðîìíîå ïî òîìó âðåìåíè æàëîâàíüå - äâåñòè ôóíòîâ ñòåðëèíãîâ â ãîä! - è äàæå ïîäàðèë ñâîþ ôàìèëüíóþ çîëîòóþ öåïü. Â êîðîëåâñêîé ãàëåðåå â Ëîíäîíå õðàíèòñÿ áîãàòåéøåå ñîáðàíèå ïîðòðåòîâ ðàáîòû Âàí Äåéêà. Â Ëîíäîíå õóäîæíèê è óìåð - âñåãî ñîðîêà äâóõ ëåò îò ðîäó.

Òðîéíîé ïîðòðåò» êîðîëÿ Êàðëà I
1635
Êîðîëåâñêîå ñîáðàíèå, Âèíäçîð

Ìåòêè: æèâîïèñü 16 âåê õóäîæíèêè ãîëëàíäèè, äàíèè |
Jan Thomas - Infanta Margarita Teresa de Habsburgo |



Jan Thomas
Infanta Margarita Teresa de Habsburgo
1667 Kunsthistorisches Museum - Wien Austria


Jan Thomas
Infanta Margarita Teresa de Habsburgo (detail)


Jan Thomas
Infanta Margarita Teresa de Habsburgo (detail)

Ìåòêè: æèâîïèñü 17 âåê ïîðòðåò |
Diego Velazquez (1599–1660) - Infanta Margarita Teresa in a Pink Dress |



Diego Velázquez (1599–1660)
Infanta Margarita Teresa in a Pink Dress (La infanta Margarita de Austria, detail) circa 1660
Colección Real via Museo Nacional del Prado - Madrid, Spain


Diego Velázquez (1599–1660)
Infanta Margarita Teresa in a Pink Dress (La infanta Margarita de Austria)
circa 1660
Colección Real via Museo Nacional del Prado - Madrid, Spain

Ìåòêè: æèâîïèñü 17 âåê ïîðòðåò |
Hans Holbein the Younger (ca. 1497-1543)- Venus and Amor |


Hans Holbein the Younger (ca. 1497-1543)
Lais of Corinth

Hans Holbein the Younger (ca. 1497-1543)
Venus and Amor

Ìåòêè: æèâîïèñü 16 âåê ïîðòðåò |
Õóäîæíèê Ãðóçèíñêèé Ïåòð Íèêîëàåâè÷(1837-1892) |


Ìåòêè: ðóññêèå õóäîæíèêè æèâîïèñü 19 âåê |
Carlo Dolci (Italian, 1616-1686) - Madonna |



Dolci, Carlo (Italian, 1616-1686)
Mary Magdalene
between 1660 and 1670
Palazzo Pitti, Florence, Italy


Carlo Dolci (1616-1687)
Madonna (detail)
Statens Museum for Kunst, DK.


Carlo Dolci (1616–1686)
St Cecilia at the Organ
1671
Gemäldegalerie Alte Meister, Dresden, Germany

Ìåòêè: æèâîïèñü 17 âåê ïîðòóãàëèÿ |
øîòëàíäñêèé õóäîæíèê Äýâèä Ðîáåðòñ (David Roberts) (1796-1864) |
Ìåòêè: æèâîïèñü 19 âåê |
Ñòàðûå Ìàñòåðà. Ãàëåðåÿ æèâîïèñè |
Ìåòêè: æèâîïèñü 17 âåê æèâîïèñü 16 âåê |
Õóäîæíèê Ñóõîäîëüñêèé Ïåòð Àëåêñàíäðîâè÷(1835-1903) |



Ìåòêè: æèâîïèñü 19 âåê ðóññêèå õóäîæíèêè |
Francesco Raibolini (1447–1517) - Portrait of Federigo Gonzaga (1500–1540) |


Francesco Raibolini

Francesco Raibolini (1447–1517)
Portrait of Federico II Gonzaga, Duke of Mantua, around age 10.
1510 Metropolitan Museum of Art

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Ìåòêè: ìóæñêîé ïîðòðåò æèâîïèñü 16 âåê |
Âåëèêèé ôðàíöóçñêèé õóäîæíèê Ãþñòàâ Êàéáîòò |
Äíåâíèê |
Ãþñòàâ Êàéáîòò - âåëèêèé ôðàíöóçñêèé õóäîæíèê, ðåàëèñò, èìïðåññèîíèñò. Ðîäèëñÿ â Ïàðèæå â 1848 ãîäó. Íåñìîòðÿ íà òî, ÷òî ñ ñàìîãî äåòñòâà Ãþñòàâ Êàéáîòò ïðèíàäëåæàë ê âûñøèì ñëîÿì îáùåñòâà, à ïîçæå ñòàë çàïðàâëÿòü òåêñòèëüíûì ïðîèçâîäñòâîì, îí âñåãäà òÿãîòåë ê èñêóññòâó, ê æèâîïèñè. Áîëüøîå ñîñòîÿíèå ïîçâîëÿëè åìó íå çàáîòèòüñÿ î ïðîäàæå ñâîèõ êàðòèí è ðàáîòàòü â ñâî¸ óäîâîëüñòâèå.
Èçâåñòåí Ãþñòàâ Êàéáîòò è êàê ìåöåíàò èìïðåññèîíèçìà. Îí ó÷àñòâîâàë â ôèíàíñèðîâàíèè âûñòàâîê èìïðåññèîíèñòîâ, â òîì ÷èñëå òàêèõ òâîðöîâ, êàê Êëîä Ìîíå, Îãþñò Ðåíóàð, Êàìèëü Ïèñàððî è äð. Ïîêóïàë è êîëëåêöèîíèðîâàë ïîëîòíà õóäîæíèêîâ, è äàæå îïëà÷èâàë àðåíäó ñòóäèè äëÿ Ìîíå. Åãî ìåöåíàòñòâî äîëãèå äåñÿòèëåòèÿ ñêðûâàëî íàñòîÿùèé òàëàíò æèâîïèñöà. Ëèøü òîëüêî ÷åðåç 70 ëåò ïîñëå åãî ñìåðòè çíàòîêè èñêóññòâ ïðèñìîòðåëèñü ê êàðòèíàì íåèçâåñòíîãî õóäîæíèêà è îòêðûëè ìèðó íîâîå èìÿ.
Ñòèëèñòèêà êàðòèí Êàéáîòòà äåëèòñÿ íà äâà ïåðèîäà. Ïåðâûé ïåðèîä - ðåàëèçì. Õóäîæíèê ïèñàë âñ¸, ÷òî âèäèò - îáû÷íûå ñöåíû, óëèöû, ëþäè, êîòîðûå çàíèìàþòñÿ ïîâñåäíåâíûìè äåëàìè èëè ïðîñòî ãóëÿþò ïî Ïàðèæó, ÷ëåíîâ ñåìüè. Âòîðîé ïåðèîä - èìïðåññèîíèçì. Ïîä âëèÿíèåì õóäîæíèêîâ-èìïðåññèîíèñòîâ, ñðåä êîòîðûõ áûëè Ýäãàð Äåãà, Äæóçåïïå äå Íèòòèñ è äðóãèå, Ãþñòàâ Êàéáîòò èçìåíèë ñâîé ñòèëü è ñòàë ïèñàòü â íîâîé òåõíèêå. Êðîìå òîãî, õóäîæíèê, ìåöåíàò èçâåñòåí è êàê ñåðü¸çíûé ôèëàòåëèñò, ñ÷èòàåòñÿ "îòöîì ôèëàòåëèè" è âêëþ÷¸í â ïî÷¸òíûé «Ñïèñîê âûäàþùèõñÿ ôèëàòåëèñòîâ».
Ãþñòàâ Êàéáîòò óìåð 21 ôåâðàëÿ 1894 ãîäà âî âðåìÿ çàíÿòèÿ æèâîïèñüþ â Æåíâèëüå. Åãî ìîãèëà íàõîäèòñÿ íà êëàäáèùå Ïåð-Ëàøåç â Ïàðèæå.  ñâî¸ì çàâåùàíèè îí ïîäàðèë êîëëåêöèþ æèâîïèñè èç 68 êàðòèí èçâåñòíûõ õóäîæíèêîâ ôðàíöóçñêîìó ïðàâèòåëüñòâó.
Ìåòêè: æèâîïèñü 19 âåê |
Nicholas Hilliard (1547–1619) - Elizabeth I, the "Phoenix" portrait |




Attributed to Nicholas Hilliard (1547–1619)
Elizabeth I, the "Phoenix" portrait
c. 1575-76 Tate Britain (London)

![]()
Attributed to Nicholas Hilliard (1547–1619)
Elizabeth I, the "Phoenix" portrait (detail)

Ìåòêè: ïîðòðåò æèâîïèñü 17 âåê |
Jacob Gerritsz Cuyp (1594–1652) - Òðè äåòî÷êè |
[



Jacob Gerritsz. Cuyp (1594–1652)
Three children in a landscape.
1635 Dordrechts Museum Äîðäðåõò, Íèäåðëàíäû

Ìåòêè: äåòè â æèâîïèñè æèâîïèñü 17 âåê |
Jacob Gerritsz Cuyp (1594-1652) - Kind mit Blume |




Jacob Gerritsz Cuyp (attr)
Kind mit Blume
1652

Ìåòêè: äåòè â æèâîïèñè æèâîïèñü 17 âåê |